Lyrics not available. 01. Showing 1 - … El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Add lyrics. You have these lithe and bouncing stacatti sections that serve as the buildup to the larger, sweeping melodic figures, giving the entire piece a sense of tension and release. never had any government or institutional funding, so if you Translate Vito. ... La mi sola, Laureola La mi sola, sola, sola, Yo el cautivo Leriano Aunque mucho estoy ufano Herido de aquella mano Que en el mundo es una sola. 05. How exciting when the images are so clear from listening to a piece. The ease in which she performed all aspects of this song was so entertaining. It reminds me of Flamenco music, and I can see her move her shoulders slightly as if she's controlling herself from breaking into Flamenco dancing. 5, Con Amores, la Mi Madre (Arr. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. La mi sola Laureola La mi sola, sola, sola. She is precise, but so comfortable and relaxed, creating natural rubato within each phrase. Yo no quiero que me mires, Que me pongo colorá. Sassy! donation. Add lyrics. Wonderful rendition! La guitarra sin prima Aquel sombrero de monte Polo del contrabandista El vito First Pub lication. The way the voice and piano interact is playful, discrete and yet so profound. Then there is a break in the dance again when the piano has its little interlude. I love this piece!!! MONTSERRAT CABALLE' N 16 Obradors EL VITO concerto SCALA 1975 . This really highlights the fact that the guitar is so important to the entire Spanish Art Song genre. It feels less like a dance until Berganza comes in. Although the piano version is exciting, pianists should really emulate the guitar which it is obviously modeled after. LyricsEl Vito Fernando Jaumandreu Obradors, Jens Lindemann. I really can imagine a woman in a sea of bullfighters. It was also nice to hear a performance with a different dialect than Spanish from Spain or Mexico, which is what I've typically heard this piece performance. Con el Vito vino, Con el Vito va. ¡Ay, ay, ay! ITD 37 Librettist Unknown Language Spanish Composer Time Period Comp. No. What a sensual piece. Ah~ Ah~ Ah~ 요 노 끼에-로 께 메 미-레 께 메 뽕-고 콜로라아~ 아아아아아 Con el vito vito vito con el vito vito va. 꼰 엘 비또 비또 비또 꼰 엘 비또 비또 바 This seems like a really fun song to perform. El Vito Traditionnel Guitar solo (with tabs) 1 PDF / 2 MP3 / Intermediate to difficult Adaptator : Durand, Patrice. It was playful without feeling affectated. The relatively lenghty prelude is really carried by the repeated notes in the piano. El Vito Alt ernative. Another interpretation where the rhythmic vigor relies much more on crispness and precision than in weight of accents. That was immediate impression I got after hearing this recording. The introduction of the piano was absolutely amazing it really built up the excitement for the piece. [No me mires¡ ay! Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . The typical costume includes jacket and brimmed hat. The rhythmic intensity paired with the ease and improvisatory nature of this song create an atmosphere of unpredictability. Another thrilling piece that keeps you on the edge of your seat! Composer: Fernando J. Obradors (1897-1945) Teresa Berganza, soprano; Felix Lavilla, piano Aix-en-provence festival 18 July 1964 El Vito Text: Anonymous Una vieja vale un real y una muchacha dos cuartos, [y yo, como]1 soy tan pobre me voy a lo más barato. Stream songs including "Canciones clasicas espagnolas - Recueil I: I. Tres Morillas", "Canciones clasicas espagnolas - Recueil I: II. PLAY FULL SONG. I can really hear the inspiration from the guitar. Canciones Clásicas Españolas, Vol. It embodies so much of what one expects of the "Spanish" sound. As is the case with all of Teresa Berganza's performances that have been shared, she has an amazing expressive power and genuine performance persona that is impeccable. Sunday, March 22, “El vito” by Obradors. This piece does not end how I would have expected. I wonder if the quickly repeated notes (that are so difficult on the piano) are an example of "punteado" as was described by Kimball in the reading. Authorship. Refrain A lady from Málaga went to Seville to see the bulls And halfway there The Moors captured her. Such exciting music! Musixmatch for Spotify and iTunes is … Yo no quiero que me miren que me pongo colorá. I really liked the different articulations that were used in the work as well with sections being more legato and others that were more snappy! Title Aire popular andaluz, arreglado para canto y guitarra Composer Damas, Tomás: I-Catalogue Number I-Cat. I love this piece and have Sierra's sparkling eyes in mind as I was listening. LYRICS. I enjoyed the rhythmic energy and drive of this music. Vol.3 I-Catalogue Number I-Cat. Una vieja vale un real y una muchacha dos cuartos, [y yo, como] 1 soy tan pobre me voy a lo más barato. Your help is greatly appreciated! been working on it full-time without a salary since 2008. El Vito (4 sheet music) Added by eythor-thorlaksson the 2006-04-21: 2 comments. And I really like Teresa Berganza's facial expressions and body language in here. The first topic was The Music of Spain and South America. Con el vito vito vito con el vito vito va. Con el vito vito vito con el vito vito va. Yo no quiero que me miren que me pongo colorá. the information here useful, please consider making a Her body language was great as well. The line about her being too poor is especially effective with the use of staccato. Be the first to add the lyrics and earn points. Y en la mitad del camino ), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive). The rhythmic impulse in this piece is absolutely driving and unrelenting. Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . She communicates so much with just her eyes. Y yo, como soy tan pobre, Me voy a lo más barato. I want to play this piece now!! Maria Amiradis, El Vito, München, Spanische Nacht Olympiapark München - Fernando Obradors An arrangement for guitar and castanets.Embrujo Mestizo performs "El Vito". for Voice & Guitar) ... El Vito Fernando Obradors, Géraldine Casey, Philippe Barbey-Lallia. Underlying the melody is a sense of danger, and I love how Berganza draws the listener in. It kind of feels not quite finished even though the way the pianist played the final chords would indicate an end. Our research has I want to learn this piece! A driving, perpetual introduction, a vocal line that is very dance-like as well as seductive. Your pseudo: You accept the terms and conditions. Note for line 7: "usté" is short for "usted", Musical settings (art songs, Lieder, mélodies, (etc. … Listen to El Vito from Fernando Obradors's Habanera for free, and see the artwork, lyrics and similar artists. Beautifully rhythmic. 1: No. Berganza's ability to maintain the crisp, piano sections of the vocal line and then sing in full legato later create an exciting performance. 7 Shazams. Need to say it again: Love Berganza!!!!! Add lyrics. The introduction reminds me of Albeniz's Leyenda. [author's text not yet checked against a primary source]. Montserrat Caballé Pop. El vito was composed by Anonymous, Spanish Poets. None [force assignment] Movements/Sections Mov'ts/Sec's: 6 songs Tres morillas Oh, que buen amor, saber yoglar! The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. 6  [sung text checked 1 time] Available translations, adaptations or excerpts, and transliterations (if applicable): found Obradors: El Vito. Refrain To learn how to opt out of cookies, please visit this site. Con el vito vito vito con el vito vito va. 꼰 엘 비또 비또 비또 꼰 엘 비또 비또 바 Yo no quie-ro que me mi-ren que me pon-go colorá. Word count: 94, This website began in 1995 as a personal project by Emily Ezust, who has Con el vito, vito, vito, con el vito, vito, va. No me haga 'usté' cosquillas, que me pongo 'colorá'. Con Amores, la Mi Madre Fernando Obradors, Michel Tirabosco, Nathalie Chatelain. The piano prelude made me think of Lara's Granada. Stop your teasing, … Berganza's interpretation is fascinating and abundant, I feel that she is inside the song when she is singing. chiquilla, que me voy desmoroná.] –Emily Ezust, Founder. Music Video. Lyrics for top songs by Fernando Obradors. (Did you know you can help support us by turning off ad-blockers?) All materials found here are for educational purposes only. Una malagueña fue a Sevilla a ver los toros. Refrain With the vito, vito, vito, With the vito, vito, it goes. Obradors, Fernando: Opus/Catalogue Number Op./Cat. No. Welcome to SongLiedMélodie. Una vieja vale un real, Y una muchacha dos cuartos. Thank you for posting it for us. I love this. The drama and excitement is gripping and very much sounds like something that would appeal to bull fighters. The melodious note arrangement of El vito ranges from pianissimo (very soft) mellow notes to forte (loud) notes carrying the player and the audience through an array of vivid emotions. I don’t want them to look at me Because I blush, I don’t want them to look at me Because I blush. They do create the kind of bullfighter plots to the listener. by Anonymous / Unidentified Author&emsp13. This piece is so passionate. To learn more, see our Privacy Policy. Add lyrics. Yo no quiero que me mires, Que me pongo colorá. Listen to Obradors: Mélodies populaires espagnoles by Corinne Sertillanges & Daniel Benzakoun on Apple Music. 3, no. Con el Vito va. ¡Ay, ay, ay! See authoritative translations of Vito in English with example sentences and audio pronunciations. Connect with Apple Music. When teacher's say they want you to be an orator of text just as much as they want you to be a singer this is the video that every student should watch to understand what that looks like in practice. by Fernando J. Obradors (1897 - 1945), "El vito" [ voice and piano ], from Canciones clásicas españolas, vol. It was created in the nineteenth century as a dancing song typical of the bolero.Includes steps of the art of bullfighting and is usually played by women. Teresa Berganza does this perfectly, beautifully, and with dramatic intent. With the vito, vito, vito, With the vito, vito, it goes. The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece. by Fernando J. Obradors (1897 - 1945) Word count: 280. Sign-in or Try it free for 3 months. Again, the dance begins when Berganza comes in. This has always been one of my favorite Spanish songs, not only to play, but simply to listen too. Aix-en-provence festival 18 July El Vito. I also like Lavilla's piano part, his tone is so pure and light, which is really effective to create the exciting plots! - F.OBRADORS "El Vito" (Canciones clásicas españolas) by Géraldine Casey, soprano colorature published on 2018-07-13T10:56:57Z Extrait du CD " ¡ España ! " The accented off beats and how well Berganza deals with a uniquely difficult setting should really be commended as it hardly looks like she is trying. This blog was created to provide a place to discuss the music and texts of vocal performances of various styles and languages. Ednaldo Borba April 12, at 1: Beverly April 8, at 8: Her body language was great as well. I really love the rhythmic qualifies in the piano, and how they are mirrored in the vocal line. For the time being, the topics are organized according to geographic locations. Lovely. Its name refers to Saint Vitus, patron of dancers. Share. Browse: Obradors - El Vito (from Canciones clásicas españolas) This page lists all recordings of El Vito (from Canciones clásicas españolas) by Fernando Jaumandreu Obradors (1897-1945). OVERVIEW. Added the 29-07-2016. 1. Get up to 3 months free. Jens Lindemann. was energized yet grounded and confident. Oh, que buen amor, saber yoglar" and more. Fernando Obradors. 2 Cuatro curas, se la llevan se la llevan a enterrar. "Cancion de cuna para dormir a un negrito" by Mon... Dmitri Hvorostovsky. I am LOVING listening to Berganza. Love the song, love the text, love Berganza. The piano here sounds purposeful and well used from a compositional/arranging point of view, giving the song a sense that it is meant to be played by the piano. Period: Romantic: Piece Style Romantic: Instrumentation voice, guitar (arranged) Olga Borodina Moi genie moi angel moi drug. The pianist in the performance did an excellent job of emulating a guitar with rhythmic clarity and precision. How thrilling it must have been to see Berganza perform in person! I just LOVE this song! Berganza sings it with so much color and vibrancy! Available translations, adaptations or excerpts, and transliterations (if applicable): This text was added to the website between May 1995 and September 2003.Line count: 18 Berganza has a lovely sense of line, and the soft stacatti sections almost feel like teasing. Obradors, Fernando: I-Catalogue Number I-Cat. Images of Poland, Czech Republic and Hungary, "Sevillanas del Siglo XVIII" by Federico Garcia Lorca, "En el Cafe de Chinitas" by Federico Garcia Lorca, Arthur Rubenstein in de Falla's "Ritual Fire Dance", "Cancion del arbol del olvido" by Ginastera. Then there is a break in the dance again when the piano has its little interlude. 1941 Librettist Traditional Language Spanish Whenever she executes a melismatic portion on “ay”, I can’t help but feel an guttural, internal wail—which I’m sure is what the composer had in mind. LOVE THE PIANO! It was so nice to hear it performed by such an expert vocalist. Very subtle and a fantastic final note from her. Fernando Obradors (1897 — 1945) Name in Other Languages: フェルナンド・オブラドルス , Ferran Jaumeandreu i Obradors , فيرناندو اوبرادورس Con el vito, vito, vito, con el vito, vito, va. On with the dancing, on with the dancing, ole! Another example of a translation from guitar to piano. It is such an effective performance. (mars 2019) avec Géraldine CASEY soprano et Philippe BARBEY LALLIA, piano The pianist did a great job in making each note speak such that there was a lot of energy from the piano part. Word-for-word translations and IPA transcriptions of songs and arias in Latin, Italian, German, and French in PDF format. The Links and Labels below should be helpful in finding what you are looking for. Somehow Theresa Berganza sings this with a sense of relaxed ease, you can see it in her body and hear it in her voice. I love the piano's role with the repeated notes. There's no way that you can hear it without feeling the dance it's based upon. She brings so much nuance to the character, and what a piano part! We use cookies for internal analytics and to earn much-needed advertising revenue. Website about Song, Lied, Mélodie, Poetry and Text. Refrain Single women are made of gold Married ladies are made of silver The widows are made of copper And the old ladies, of tin. I love this song in her interpretation (oh, yes - the true is that I love EVERYTHING in her interpretation) This piece is really wonderful, but not me first I heard with her. El vito Songtext von Fernando Obradors mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf Songtexte.com Palabra por palabra traducciones y transcripciones IPA de canciones y arias en latin, italiano, alemán y francés, en formato PDF. Type the code : Display again: By zetadimou2, 28 Feb 2016 at 20:11. thank you so much... Was this review helpful? Berganza's performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents this difficult song. No. What fun! Con el vito, vito, vito, con el vito, vito, va. The original lyrics in Spanish. That is when the dance really begins. ... Sign in Sign up. Lyrics for El Vito by Fernando Jaumandreu Obradors feat. The piano part somehow reminds me of Falla's "Polo" (the repeated notes). The guitar figures are apparent in the piano accompaniment. From the "no, no" to the fiesty "Ay!" None [force assignment] Movements/Sections Mov'ts/Sec's: 7 songs: La mi sola, Laureola Al amor Corazón porque pasais El majo celoso Con amores, la mi madre Dos cantares populares Coplas de curro dulce First Pub lication. No me mires a la cara que me pongo colorá Yo no quiero que me mires que me vas a enamorar. I love the, as Abby put it, crispness of this piece and I love the way it exists intimately with the passion. No. It looks so fun to perform. Teresa Berganza, as always, perfectly exemplifies this style. I really love the rhythmic qualifies in the piano, and how they are mirrored in the vocal line. PLAY FULL SONG.

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